I collected a huge amount of footage and tried to use these fragments of reality to tell a story. '', Medium: media/found oil paintings, falsified magazine article. Desks are arranged with small containers of ink, brushes and a copybook with instructions on the basic principles of ''New English Calligraphy,'' a writing system invented and designed by the artist. Directed by Xu Bing. The Serious Business of Comics. As people attempt to recognize and write these words, some of the thinking patterns that have been ingrained in them since they learned to read are challenged. In Mandarin; English subtitles. Five Series also anticipates his later explorations of visual culture and materiality. Comprised of countless seemingly random but actually casually related film clips, He earned his B.A. This progression, from nothing to something to nothing again, anticipates the artist’s desire, stated later in his career, to “make something useless”—to push the medium of woodcutting, and the “usefulness” of figurative arts, into new territory. When reading Square Word Calligraphy, such feeling is joyfully resolved with the sudden revelation that the work does contain “real” text. Panos Kotzathanasis panos.kotzathanasis pkotzathanasis PKotzathanasis. Through the medium of widescreen animation, The Character of Characters describes the source of the unique character of Chinese people. “This is a man. IFFR 2018. With no human agency operating them, surveillance cameras produce fascinating footage round the clock. But Xu Bing’s creation of a narrative – assisted by voiceover actors and foley artists to fill out the soundtrack – sets up endless other conceptual curiosities, as seemingly infinite as the eyes on a dragonfly’s head. The book is written in a way that any reader, regardless of his or her cultural or educational background, can understand. The image thus transitions from a formless solid block of black, and through a complicated process arrives at formless solid block of white, a gesture with a strong Zen Buddhist implication. 2017. Dragonfly Eyes. Dragonfly Eyes. And the way we experience them isn’t just the stuff of comic book art, but the essence of life itself, according to Scott McCloud. From this single grid, one can discern nearly 4,000 separate poems. He’s recorded 300 times each day. Supported by The Robert H. N. Ho Family Foundation. [3] Dragonfly Eyes is a feature film almost entirely comprised of surveillance footage taken from China's extensive network of CCTV cameras. By Robert Koehler. DRAGONFLY EYES is an 81-minute fictional film made entirely out of surveillance footage. When at last they touched the moon, it vanished in the ripples of the water. Location: , 24 Quincy St, Cambridge . Medium: Mixed media installation/ hand-printed books and scrolls printed from blocks inscribed with ''false'' characters. PLAYING AT YALE BEFORE A ONE-WEEK BOOKING AT THE MUSEUM OF MODERN ART. Hosted by the world’s leading museums, Xu Bing is a multi-talented artist, as testified by his film Dragonfly Eyes and his Book from the Ground: From Point to Point, a novel told exclusively with pictograms. Installation artist Xu Bing pits this watching world – 10,000 hours of found footage from 28,000 cameras across China uploaded to the cloud – against simple melodrama, young love and fragility. Later in the same year, he organized his personal views on printmaking and creative insights into an essay entitled “A New Exploration and Reconsideration of Pictorial Multiplicity.” In it, he wrote, “Multiple, prescribed impressions are the crucial element that differentiates printmaking from other fine arts, and it is only by following this line of inquiry that one can seek out printmaking’s essence.” This set of works represents an experiment in the artistic qualities that make prints unique. Prominent visual artist Xu Bing’s first feature film is composed solely of footage from China’s millions of surveillance cameras, altering viewers’ concepts of reality and showing them just how often they are being watched Dragonfly Eyes is Xu Bing’s feature film debut. A Q&A with Xu Bing will follow the film., powered by the Localist Community Event Platform Where are the found stories in a world of constant surveillance? Materials: Performance media installation with live animal / Live Pig, books, mannequin, wood blocks, ink. I’ve wanted to make a film from surveillance footage since 2013, but I had no access to the necessary resources. Director. Each of us is captured on surveillance cameras, on average, 300 times a day. This fanciful yet instructive tale reminds us that what we strive to achieve may in fact be an illusion. straight out of science fiction. The Harvard Film Archive is pleased to present XU BING’S DRAGONFLY EYES on Monday October 15, 2018 before a Radcliffe lecture by the filmmaker on Tuesday October 16. Poetry in Motion. China. The narrative is as disturbing as classical: a tragic love story of the 21st century? To the artist, the process of caring for and working with the pigs constitutes ''a kind of ongoing sociological experiment, touching on myriad issues. The heroes of the story are Qing Ting and Ke Fan, which are played by different, unsuspected individuals who have been caught on surveillance cameras. A solitary figure is walking away from the camera, along the edge of what appears to be a lake or small reservoir. For many years Xu Bing has wanted to create a movie exclusively using surveillance cameras. 81 min. It is the artist's belief that people must have their routine thinking attacked in this way. In response to his own Book from the Sky, a work dated 30 years earlier whose language is illegible to anyone, Book from the Ground is legible to all. This was the last major artwork that the artist started before moving to the United States in 1990, where it was exhibited for the first time. So I took up the project again. Actual live streams and webcam and CCTV footage are stitched together to support a rather eccentric narrative in Dragonfly Eyes (Qing Ting zhi yan), the directorial debut from Chinese artist Xu Bing. For his graduation exhibition, he showed Five Series of Repetitions as well as his “Stone Series” of copperplate prints. In 1620 Hui Su created a grid of 841 characters that can be read in any number of directions and combinations. This by turns shocking and poetic, but always fascinating, experiment reflects on our obsessive visual culture. Viewing the reflection of the moon on a pool of water from their place on the branch of a tree, the monkeys decided to link their arms and tails together to touch what they thought was the real moon. From Frye Art Museum, Xu Bing 徐冰, Still from Dragonfly Eyes (Trailer) (2015), Single-channel digital video Dragonfly Eyes. For his first feature film, Xu Bing edited footage from surveillance cameras into a fictional story. The project began in 1999 in Durham, home of the Duke family; passed through Shanghai in 2004; and in 2011 extended once more to Virginia — locations closely intertwined with tobacco. Everyone in China who has received basic education must, over the course of years, commit to memorize and then write and re-write thousands of characters, each character a drawing. Directed by Xu Bing. A chain of monkeys formed out of word shapes. He is currently an A.D. White Professor-at-Large at Cornell University. Dragonfly Eyes – An Interview with Xu Bing. Xu Bing is a world-renowned artist working at the forefront of Chinese and global contemporary art. For the first Singapore Biennale, Xu Bing created a prayer carpet for the Kwan-Im Temple, the largest Buddhist Temple in Singapore. Sometimes they record images that are beyond logical understanding, captured in one mad, fleeting instant. 13(H) x 14(W) m each. This dichotomy between understanding and misunderstanding is integral to ''Wu Street.'' In this installation Xu Bing uses dust that he collected from the streets of lower-Manhattan in the aftermath of September 11th. Tobacco is an object that permeates—it pervades all spaces, ends in ashes, and has many different connections with individuals and the world more broadly—in economics, culture, law, morality, faith, fashion, living space, personal interest, and more. And the way we experience them isn’t just the stuff of comic book art, but the essence of life itself, according to Scott McCloud. From Frye Art Museum, Xu Bing 徐冰, Still from Dragonfly Eyes (Trailer) (2015), Single-channel digital video The title of this work refers to the Chinese name of a Manhattan street located on the Lower East Side. Materials: Mixed media: Stones, Clay, Mist, Light effect, Sounds of bird and insects, LCD screen, Location: Victoria and Albert Museum, London, UK, Materials: seventeen-minute animated film. On the surface, Wu Street appears to be no more than an elaborate practical joke; yet it poses serious questions concerning the contemporary art system, the often arbitrary nature of critical language and the basis for assessing the value of art. Regained. Photo by Kris Snibbe/Harvard Staff Photographer. Xu Bing. Actually, the theme of surveillance cameras has a very long and rich cinematic history, … KALEIDOSCOPE Poetry In Motion. The plainness, simplicity, and naivete of these works, made just after the end of the Cultural Revolution, are a stark contrast to the false, grandiose, empty forms of that era. 81' trailer. All footages are sourced from open platform. For his first feature film, Xu Bing edited footage from surveillance cameras into a fictional story. The Foolish Old Man Who Tried to Remove ... Book from the Ground - Studio Installation, Background Story: Landscape After Huang Gongwang, Background Story: Returning Late from a Spring Outing, Background Story: Dwelling in the Peach Blossom Valley, Background Story: Spring Clouds and Layered Peaks, Background Story - Old Trees, Level Distance, Background Story: Landscape Painted on the Double Ninth Festival, Background Story: Blue and Green Landscape, Background Story: Landscape after Wu Zhen, Background Story: Shangfang Temple Scroll, Square Word Calligraphy: Three Indonesian Proverbs, Square Word Calligraphy: El bon poble, An introduction to Square Word Calligraphy, Landscripts from the Himalayan Journal, American Silkworm Series 4: Silkworm VCR, American Silkworm Series 3: The Opening, American Silkworm Series 1: Silkworm Books, A Case Study of Transference: Times Overlap. Eventually an image of a landscape emerges, reminiscent of East Asian painting. Professor Xu Bing resides both in the US (since 1990) and Beijing, where he served as Vice President of China’s Central Academy of Fine Arts (CAFA). In Mandarin; English subtitles. Qing Ting leaves her life as a novice in a Buddhist temple for the secular world: from a highly mechanized dairy farm to a dry … Deep Focus. PLAYING AT YALE BEFORE A ONE-WEEK BOOKING AT THE MUSEUM OF MODERN ART. November 17, 2017 By Jeremy Elphick | Locarno Film Festival Interviews. As a next step, Xu altered the critical text by substituting the real names and art works with false names and illustrations of the found paintings. Xu Bing's Dragonfly Eyes. The meticulous, exhaustive production process and the work’s format, arrayed like ancient Chinese classics, were such that audiences could not believe that these exquisite texts were completely illegible. The colorful, shimmering imagery of the installation imparts a magical, fairy-tale like quality. XU BING is a Chinese-born artist whose artistic and cultural interventions touch on the fields of public and ecological art, … Materials: Mixed-media installation; instructional video, model books, copybooks, ink, brushes, brush stands, blackboard. Xu Bing, Still from Dragonfly Eyes, 2015. Film Review: Dragonfly Eyes (2017) by Xu Bing. He then hired a professional translator to translate the altered text into Chinese, making it even more incomprehensible, and subsequently published the falsified, translated article in a prestigious art magazine in China under the pseudonym of Jason Jones. Artist Xu Bing uses post-production processing to spruce the footage up, frequently labelling the … DCP. DCP. Dragonfly Eyes (Xu Bing, China/USA) — Wavelengths. He begins by printing an uncut block of wood, making a sequence of prints as he carves until the image is entirely effaced. 1987 marks the year Xu Bing’s artistic practice took a decisive turn towards conceptualism. Xu emblazoned his eye-catching red-and-yellow banner, measuring 36ft x 9ft, with the slogan ''ART FOR THE PEOPLE: Chairman Mao said'' inscribed in his own invented system of ''New English Calligraphy'' -- English words deconstructed but then re-configured into forms that mimic the square structure of Chinese characters. But Xu Bing’s creation of a narrative – assisted by voiceover actors and foley artists to fill out the soundtrack – sets up endless other conceptual curiosities, as seemingly infinite as the eyes on a dragonfly’s head. This is the first thing he tells us himself in his Qing Ting zhi yan (Dragonfly Eyes), thus setting the unavoidable distance from the image we get with surveillance cameras through his own presence in the. Find where to watch Dragonfly Eyes in New Zealand. Regained. An obsession with language, symbols, words – how they structure meaning, value, and communication – has long been a central focus for the Beijing-based visual artist Xu Bing. The entire process was documented and the resulting photographs were exhibited several years after the event, in 1998. 81 min. Essentially, New English Calligraphy is a fusion of written English and written Chinese. It implies the way that Chinese people see and approach things, and why China is the way it is today – developing at this breakneck speed but not in line with the Western value system. There are around 150 pocket-sized works in this set of woodblock prints. dragonfly eyes Constructed entirely from real surveillance video, Dragonfly Eyes is a unique hybrid of fiction and documentary. Dragonfly Eyes 徐冰Xu Bing . Tuesday 10/16/18. DRAGONFLY EYES (2017) SCREENING AND Q&A WITH DIRECTOR XU BING FRIDAY, SEPTEMBER 7, 2018 7PM, WHC AUDITORIUM. Directed by Xu Bing. Film Review: Dragonfly Eyes (2017) by Xu Bing. “Tobacco Project” is an extended project that collects and organizes materials related to tobacco that cannot be easily defined as art or sociology. While undergoing this process of estrangement and re-familiarization with one's written language, the audience is reminded that the sensation of distance between other systems of language and one's own is largely self-induced. Dragonfly Eyes. It thus serves as an intermediary form of communication and exchange between the two languages. 81 'China; 2017; Add to favourites. Official Trailer of "Dragonfly Eyes" at TIFF 2017, a feature film consists of more than 500 surveillance videos and online live-streaming images The Chinese artist Xu Bing is internationally renowned for his controversial piece "A Book from the Sky", first publicly exhibited in 1988, during a turbulent moment both to China and to the whole world. Actual live streams and webcam and CCTV footage are stitched together to support a rather eccentric narrative in Dragonfly Eyes (Qing Ting zhi yan), the directorial debut from Chinese artist Xu Bing. October 15, 2018 | 7:00pm - 8:30pm. China has long had a tradition that “calligraphy and painting have the same origins.” Xu Bing’s Landscript, landscape-in-script, transformed the visual images of landscapes to linguistic forms, inviting the viewer to reassess the particularity of Chinese culture hidden in landscape paintings and providing a unique way to “read a scene.”, Location: Museum of Modern Art, New York, 1999; Victoria and Albert Musum, London, 2001. For the Book fom the Ground installation, Xu Bing recreated his studio's working environment and brought some materials to the exhibition space, implying that this is a never-ending project in progress. With »Dragonfly Eyes« the ZKM presents the surveillance melodrama of the Chinese artist Xu Bing. Xu Bing, Still from Dragonfly Eyes, 2015. Sep 21–27, 2018. 2017. The nine “keywords” of “World Picture” can be generally divided into three categories and sources. Exhibition Poster to promote Dragonfly Eyes, by Xu Bing, in the context of an author exhibition for 2017’s edition of Porto Post Doc. By Tianni Wang. When these seemingly random yet intricately connected clips are assembled, what's the distance between the video fragments of real life and 'reality'? Dragonfly Eyes, the first feature film from Beijing installation artist Xu Bing, is at least sociologically interesting: It’s comprised largely of repurposed CCTV surveillance camera footage that’s been tweaked and fussily annotated (“road cement grey #15273”) so as to give the impression of an omniscient, voyeuristic A.I. The highly acclaimed Chinese artist Xu Bing created the movie Dragonfly Eyes out of thousands of hours of footage from surveillance cameras and live-streaming sites. DRAGONFLY EYES (2017) SCREENING AND Q&A WITH DIRECTOR XU BING FRIDAY, SEPTEMBER 7, 2018 7PM, WHC AUDITORIUM. I believe that a core characteristic of Chinese painting is its schematized nature, which is reflected in classic literature, theatrical expression, and various methods of social production. A video titled ''Elementary Square Word Calligraphy Instruction,' is played on a monitor in the exhibition space, capturing the audiences' attention and inviting them to participate in the class. In 1977, Xu Bing passed his entrance exams to enroll in the Printmaking Department of the Central Academy of Fine Arts. Dragonfly Eyes 2017 directed by Xu Bing. He weaves a story of a boy and a girl in modern-day China out of security camera footage. It is an expression of Xu Bing’s long-standing vision of a universal language. Once they are seated at the desks, the audience is instructed to take up their brushes and the lesson in New English Calligraphy begins. News. Panos Kotzathanasis. Artist Xu Bing's first feature film "Dragonfly Eyes" tells a story of love and obsession through footage culled entirely from videos uploaded … The film screening is open to the public. The artist, known for his experimental calligraphy and bookbinding art, is one of the most important representatives of contemporary Chinese art. Users can enter words either in English or in Chinese, and the program will translate them into Xu Bing's lexicon of signs. Dragonfly Eyes. Xu Bing. The artist first compiled symbols drawn from the public sphere and wrote a book using only these signs. The intention of this installation is to simulate a classroom-like setting modeled on adult literacy classes, in a gallery or museum space. In this fashion, Xu Bing selected passages from four significant faith-based texts (one Buddhist, one Gnostic, one Jewish, and one passage from Marx, all in English translation), which he then transcribed as Square Word Calligraphy, and then synthesized into one text. With poet Zhai Yongming and screenwriter Zhang Hanyi he weaves a story involving two characters around these images. But in fact the result was just the opposite: the pigs themselves were completely unfazed, and blithely ignoring their human onlookers pursued their lovemaking with great gusto. He is currently an A.D. White Professor-at-Large at Cornell University. The Mustard Seed Garden Manual of Painting is a dictionary of signs for representing the myriad things of the world. In watching the behavior of the two pigs, we are led to reflect on human behavior.'' Share This! Indistint forms of plants and stones can be discerned through frosted glass. On this street, the artist salvaged a group of non-representational oil paintings from the garbage, providing the catalyst for this conceptual piece. With »Dragonfly Eyes« the ZKM presents the surveillance melodrama of the Chinese artist Xu Bing. Xu Bing’s studio also made a character database software that corresponds to the language of the book. ... —Xu Bing. It is only when we try to find out what is beneath the surface that we can discover the background, and everything becomes intertwined in the image. Established notions of Chinese and English no longer retain, and perceptual norms are reset, marking the new potentials that challenge the foundation of cognition itself. With no human agency operating them, surveillance cameras produce fascinating footage round the clock. Film series; Few images come closer to reality than those recorded by surveillance cameras. Xu Bing / Dragonfly Eyes: What Counts as Art Today? IFFR 2018. He collected a huge amount of material, and tailored them together to tell a story. Firstly, original concepts in Xu Bing’s artistic career; secondly, issues and theoretical viewpoints that appear frequently in the numerous reviews on Dragonfly Eyes; thirdly, specific concepts and methods in the production process of Dragonfly Eyes. 3 Min Read. As they rise into the air, the characters “de-evolve” from the simplified system to standardized Chinese text and finally to the ancient Chinese pictograph hasde upon a bird’s actual appearance. By Robert Koehler In Cinema Scope Online, TIFF 2017. He collected a huge amount of material, and tailored them together to tell a story. The buzz surrounding Xu Bing’s new film Dragonfly Eyes (2017) is that it was created from cutting and compiling more than 10,000 hours of video surveillance footage and is possibly the first such “film” to combine the technologies of over 245 million global surveillance cameras and cloud computing.But the release of the 81-minute movie also revealed an interesting decision by Xu… This is a gimmick that has been attempted several times before, most notably in German artist Michael Klier's 1983 film Der Reise ("The Giant"). Dragonfly Eyes. Many early viewers pored over the artwork, obsessively looking for real characters. These all-seeing 'eyes' observe a young woman named Qing Ting (her name means 'Dragonfly') as she leaves the Buddhist temple where she has been training to be a nun and returns to the secular world, taking a job in a highly mechanized dairy farm. Photo by Kris Snibbe/Harvard Staff Photographer. It’s night-time, and the person walks unsteadily, weaving from left to right, as if drunk, or maybe just tired. The idea for this installation came from a Chinese saying “monkeys grasp the moon” which alludes to an old folk tale about a group of monkeys who tried to capture the moon. Comprised entirely of surveillance camera footage, Dragonfly Eyes tells a tortuous melodrama in the backdrop of an ever-expanding security network, questioning the nature of performance and reality. Xu Bing, a visual artist, started collecting surveillance videos and footage from the cloud. In China, a country with strict film censorship, an estimated 200 million such cameras have been installed to capture life unfiltered; mundane daily activities are mixed with dramatic events … He and his team then painstakingly edited the footage into an 81-minute melodrama, as told through overdubbed voices. Xu Bing states: ''These two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization, engage in the most primal form of 'social intercourse.' Installation artist Xu Bing pits this watching world – 10,000 hours of found footage from 28,000 cameras across China uploaded to the cloud ... > Dragonfly Eyes Dragonfly Eyes… Xu Bing’s Dragonfly Eyes. Video, surveillance camera footage taken from public live-streaming websites. The design of the carpet is similar in concept to Hui Su's Former Qin Dynasty creation the Xuan Ji Tu. The artist, known for his experimental calligraphy and bookbinding art, is one of the most important representatives of contemporary Chinese art. When these seemingly random yet intricately connected clips are assembled, what's the distance between the video fragments of real life and 'reality'? Prominent visual artist Xu Bing’s first feature film is composed solely of footage from China’s millions of surveillance cameras, altering viewers’ concepts of reality and showing them just how often they are being watched Through The Mustard Seed Garden Landscape Scroll, I attempt to investigate and reveal the relation between the Chinese way of thinking and the semiotic and schematized nature of Chinese culture.". Professor Xu Bing resides both in the US (since 1990) and Beijing, where he served as Vice President of China’s Central Academy of Fine Arts (CAFA). In 1990, Xu Bing decided to realize a longstanding vision: to “make rubbings of some massive natural object.” At the time, he had an idea: any textured object could be transferred onto a two-dimensional surface as a print. A lake or small reservoir sometimes they record images that are beyond logical understanding, captured in mad. 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